Fog by Carl Sandburg Summary and Complete Analysis

Fog by Carl Sandburg
Fog by Carl Sandburg

Carl Sandburg

Carl Sandburg (1878-1967) was an American poet, writer, and folk musician renowned for his versatility. Born in Illinois, he gained widespread acclaim for his poetry collections, notably “Chicago Poems” (1916) and “Cornhuskers” (1918), which earned him three Pulitzer Prizes. Sandburg’s work often celebrated ordinary people, reflecting the pulse of urban life and the American experience. Beyond poetry, he wrote biographies, including the acclaimed “Abraham Lincoln: The War Years.” His distinct voice, characterised by free verse and a commitment to social justice, solidified his place in American literature, leaving an enduring legacy that captures the spirit of his time.

Fog’ Carl Sandburg’s short poem was published in 1916 in Sandburg’s first significant poetry collection, Chicago Poems.

In this post, we will go through the poem Fog by Carl Sandburg: Summary and Complete Analysis.


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Summary- Fog by Carl Sandburg

In Carl Sandburg’s poem ‘Fog’, he describes the arrival and departure of fog in a city. The fog is personified as a silent and stealthy cat, coming in quietly and sitting on its haunches as it observes the harbour and city. Using “little cat feet” creates an image of gentleness and subtlety. The fog’s presence is temporary as it eventually moves on, emphasising its transient nature. Sandburg captures fog’s atmospheric and mysterious qualities, portraying it as a fleeting visitor that briefly envelops the surroundings before continuing its journey. The simplicity of the language adds to the poem’s evocative and contemplative tone.

Explanation- Fog by Carl Sandburg

Fog’ by Carl Sandburg is a short and simple poem that uses personification and vivid imagery to depict the nature of fog. Here’s a more detailed explanation:

The poem opens with the statement, “The fog comes on little cat feet.” Here, the fog is personified as a cat, suggesting its quiet and subtle arrival. The use of “little cat feet” emphasises the gentle and stealthy nature of the fog and conjures an image of softness and delicacy.

The following lines describe the fog sitting and looking “over harbour and city on silent haunches.” This imagery reinforces the idea of the fog as a silent observer, enveloping the surroundings with a quiet and contemplative presence. The mention of the harbour and city implies that the fog affects both natural and urban environments.

The poem concludes with the observation that the fog, after sitting for a while, “moves on.” This emphasises the transitory nature of fog. It comes, lingers for a time, and then departs, much like a cat that might come and sit somewhere briefly before wandering away.

To conclude, Sandburg’s ‘Fog’ captures the essence of fog as a mysterious and transient phenomenon that can momentarily alter the atmosphere and create a sense of quiet beauty. Using personification and simple yet evocative language contributes to the poem’s charm and impact.

Analysis- Fog by Carl Sandburg

Carl Sandburg’s ‘Fog’ is a poem that artfully captures the essence of fog through personification and metaphor, vivid imagery, and a reflection on the transient nature of this atmospheric phenomenon. Sandburg’s skilful use of language invites readers to contemplate the beauty of the natural world and the deeper meanings that can be extracted from seemingly simple observations.

Tone- 

Carl Sandburg’s poem ‘Fog’s tone can be described as quiet, contemplative, and observant. The language throughout the poem is simple, contributing to a calm and reflective atmosphere. The personification of fog as a cat, with “little cat feet,” creates a gentle, almost whimsical tone.

The poet doesn’t employ strong emotions or dramatic language; instead, depicting the fog’s movements and observations creates a sense of tranquillity. The fog is presented as a silent, unobtrusive presence, and this choice of tone allows readers to contemplate the nature of the fog and its transient qualities without the distraction of intense emotions.

To summarise, the tone of ‘Fog’ is subdued and meditative, inviting readers to engage thoughtfully with the imagery and themes presented in the poem.

Type- 

‘Fog’ by Carl Sandburg is a free verse poem. It lacks a regular rhyme scheme, meter, or formal structure, and instead, it relies on the natural cadence of everyday speech. The absence of a rigid structure gives the poem a sense of informality and allows the poet to focus on conveying the essence of the fog more flexibly and expressively. The use of free verse is a characteristic feature of Sandburg’s style, and it adds to the overall simplicity and accessibility of the poem.

Themes- Fog by Carl Sandburg- 

  1. Transience and Impermanence: The poem emphasises the temporary nature of fog, portraying it as a fleeting presence that comes and goes. The word “moves on” in the final line underlines the idea of impermanence. This theme extends beyond the fog, metaphor the transient nature of life and experiences.
  1. Observation and Contemplation: The poem presents the fog as an observer, sitting and looking “over harbor and city on silent haunches.” This theme suggests the importance of taking the time to observe and contemplate the world around us. It highlights the value of stillness and reflection in appreciating the beauty and significance of ordinary moments in life.
  1. Mystery: The comparison of fog to a cat and its silent movements introduces an element of mystery. The poem invites readers to reflect on the symbolic significance of these natural occurrences and find meaning in the ambiguity.

Simplicity and Depth: 

The poem carries a deep meaning despite its brevity. The simplicity of language and structure enhances its accessibility, but within this simplicity lies a contemplative reflection on the fleeting nature of life and the beauty found in transient moments.

Extended Metaphor in the poem Fog by Carl Sandburg

Carl Sandburg’s poem ‘Fog’ can be interpreted as an extended metaphor. In this case, the fog is not merely described or compared to a cat in a single instance; the entire poem consistently extends this comparison, using it as a metaphor to convey broader ideas. Let’s examine how:

  1. The personification of Fog as a Cat: The opening line establishes the metaphor by personifying the fog as having “little cat feet.” This initial comparison sets the tone for the poem, suggesting that the fog shares qualities with a cat.
  1. Cat-Like Behavior of the Fog: The metaphor is extended as the poem progresses. The fog is not just compared to a cat in one aspect; it is described as a living entity with intentional actions. The fog “comes on little cat feet,” “sits looking,” and “moves on,” attributing cat-like behaviours to the fog.
  1. Quiet and Stealthy Presence: The metaphorical comparison enhances the understanding of the fog’s characteristics. Cats are known for their quiet and stealthy movements, and by extending this metaphor, the poem conveys that the fog shares these qualities, arriving silently and unobtrusively.
  1. Observational Quality: The poem further extends the metaphor by portraying the fog as an observer, sitting and looking “over harbor and city on silent haunches.” This aligns with the image of a cat observing its surroundings.
  1. Transience and Departure: The metaphor reaches its culmination as the fog, like a cat that may lose interest and move on, eventually “moves on.” This departure reinforces the idea of the fog’s transient and fleeting nature, echoing the ephemeral quality often associated with cats.

Hence, the entire poem is an extended metaphor by consistently likening the fog to a cat throughout its progression. This metaphor enhances the poem’s imagery, creating a vivid and cohesive portrayal of the fog’s characteristics, behaviours, and transient nature through the lens of the cat metaphor.

Personification: 

The central element of the poem is the personification of fog as a cat. Describing the fog as having “little cat feet” gives it a sense of stealth and quiet movement. This choice of imagery also introduces a tactile and sensory dimension to the fog, suggesting a soft and almost intimate quality.

Imagery: 

The poem paints a clear picture through its imagery. The fog is a meteorological phenomenon and a living entity with actions. It “comes on little cat feet,” “sits looking over harbour and city on silent haunches,” and “moves on.” These images create a vivid and memorable portrayal of the fog’s behaviour, enhancing the reader’s connection to the natural element.

Line-by-Line ExplanationFog by Carl Sandburg

  1. “The fog comes”

The opening line sets the stage for the poem, announcing the arrival of fog.

  1. “on little cat feet.”

This line uses personification, likening the movement of the fog to the quiet and stealthy steps of a cat. It introduces a gentle and almost whimsical image.

  1. “It sits looking”

The fog is described as a living entity capable of sitting and observing its surroundings.

  1. “over harbor and city”

The fog’s gaze extends over natural (harbour) and urban (city) environments, emphasising its pervasive nature.

  1. “on silent haunches”

This line continues the personification, describing the fog as if it were a cat sitting quietly and attentively, emphasising its silent and unobtrusive presence.

  1. “and then moves on.”

The poem concludes by highlighting the transient nature of the fog. After quiet observation, it departs, reinforcing the idea of impermanence and change.

Literary Devices- Fog by Carl Sandburg

Textbook Questions Answers- Fog by Carl Sandburg

Q: What does Sandburg think the fog is like?

A: Sandburg thinks the fog is like a cat. He uses the metaphor of a cat to describe the qualities and movements of the fog. The fog is portrayed as having “little cat feet,” suggesting a quiet, subtle, and almost stealthy arrival.

Q: How does the fog come?

A: The fog comes quietly and unobtrusively, described as arriving “on little cat feet.” This imagery emphasises the gentle and soft nature of the fog’s approach.

Q: What does ‘it’ refer to in the third line?

A: The “it” in the third line refers to the fog. The line reads, “It sits looking,” personifying the fog as if it were a living entity capable of sitting and observing.

Q: Does the poet say that the fog is like a cat? Find three things that tell us that the fog is like a cat

A: Yes, the poet uses the metaphor of the fog being like a cat throughout the poem. Here are three things that suggest the fog is like a cat:

  1. on little cat feet“: This direct comparison in the second line explicitly likens the fog to a cat, describing its movement in terms of the quiet steps of a feline.
  1. It sits looking / over harbor and city / on silent haunches: These lines attribute cat-like behaviour to the fog, as it is described as sitting and looking over the landscape with silent haunches, further reinforcing the metaphor.
  1. The overall quiet, subtle, and observational nature of the fog throughout the poem mirrors the characteristics commonly associated with cats, contributing to the extended metaphor.

Extra Questions-Fog by Carl Sandburg- 

Q1: What is the central theme of Carl Sandburg’s poem ‘Fog,’ and how does the poet use language and imagery to convey this theme?

A1: In ‘Fog,’ the central theme revolves around the transient nature of life and the beauty found in fleeting moments. Carl Sandburg employs vivid imagery and personification, mainly through the metaphor of fog as a cat, to convey nature’s impermanence and quiet elegance. The poet uses simple and evocative language, creating a contemplative atmosphere that encourages readers to reflect on existence’s temporary yet enchanting aspects.

Q2: Describe the metaphorical significance of the fog being compared to a cat in Carl Sandburg’s poem. How does this metaphor contribute to the overall understanding of the poem?

A2: The metaphor of the fog being compared to a cat is the poem’s central and extended metaphor. Sandburg creates a vivid and cohesive portrayal by describing the fog as having “little cat feet” and attributing cat-like behaviours such as sitting and looking at the fog. This metaphor enhances the reader’s understanding by conveying the fog’s quiet, subtle movements and observational, transient nature. It adds depth to the poem, inviting readers to contemplate the metaphorical layers that enhance the portrayal of the fog’s characteristics and the broader themes of impermanence.

Q3: How does the poet use personification in the poem ‘Fog, and what effect does it have on the overall tone and atmosphere of the poem?

A3: Personification is evident in ‘Fog’ as the poet attributes human-like qualities to the fog, particularly by describing it as having “little cat feet” and sitting “on silent haunches.” This personification contributes to a contemplative and almost whimsical tone. By imbuing the fog with the characteristics of a cat, the poem creates a unique and imaginative portrayal, enhancing the reader’s connection to the natural element. The overall atmosphere is one of quiet observation and transience, evoking a sense of mystery and beauty in the simplicity of nature’s movements.

Q4: How does the poet convey the idea of transience in ‘Fog,’ and what symbols or images contribute to this theme?

A4: The idea of transience is prominently conveyed in ‘Fog’ through the metaphor of the fog’s fleeting presence. The poem emphasises the impermanence of the fog as it “comes on little cat feet” and eventually “moves on.” The choice of a cat as a metaphor, the quiet movements of the fog, and its observational nature all contribute to the theme of transience. The fog’s departure, akin to a cat losing interest and moving on, reinforces the notion that everything in life, even something as seemingly stationary as fog, is temporary.

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